Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.  Related Paintings of Giovanni Bellini :. | Pala Barbarigo | Portrait of a Young Man | Portrait of a Young Man | Pesaro Altarpiece | Saints Christopher Jerome and Louis of Toulouse |
Related Artists:
Juan Antonio Ribera Y Fernandez
1779-1860 was a Spanish painter, born at Madrid. He first studied under Francisco Bayeu and enrolled into the Royal Academy of San Fernando, but afterwards went to Paris and become the pupil of Jacques-Louis David. There he painted his Cincinnatus which is now in the Prado Museum. In course of time he went to Rome, and in 1811 was appointed painter to Carlos IV and member of the Academy of St. Luke; and in 1820, honorary member of the Academy of San Fernando. In 1838 he was made professor, and two years afterwards Director of the Prado. He died at Madrid.
Joseph Haunzinger
Josef Hauzinger: Marie Antoinette, Erzherzog Maximilian und Ludwig XVI., Ol auf Leinwand, um 1776
John Masey Wright
1777-1866